The Column

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The Column: Eddie Myer – De Profundis

    Love Supreme Festival reached its fifth birthday this year. An additional Jazz In The Round stage, curated by Jez Nelson, a strong representation from a new generation of British artists, the continuing contribution from the local Brighton scene to the Bandstand and Arena stages, and the enduring smoother-than-silk vitality of the immaculately mustachioed  George…

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The Column: Eddie Myer – What’s In A Name?

    We’ve been quietly but firmly insisting in this column that there’s something stirring in the world of jazz-and-related-musics, both here in the UK and further afield. While sales of recordings continue to plummet across all sectors, the rise of delivery via streaming services continues to increase; in fact, thanks to the massive uptake in…

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The Column: Eddie Myer – Satisfaction, Finally

    A combination of the diligent pursuit of journalistic integrity on behalf of you, dear reader, and the organiser’s generous assessment of my actual capabilities to deliver as such, resulted in my being fortunate enough to attend this year’s JazzFM Awards. The setting was the Shoreditch Town Hall, its high-Victorian architecture evoking a suitable spirit…

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The Column: Eddie Myer – United We Stand

    Sad tidings reach us that the Jazz At The Palmiera sessions in Hove are no more, having been abruptly terminated without notice. While it’s been heartening to see the abundance of new casual gigs springing up around town over the last couple of years, both players and aficionados alike will be wearily familiar with…

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The Column: Eddie Myer – Comrade Swing

    Look at the wider world today, both abroad and at home, and you find yourself inundated with depressing headlines recording a global situation in which chronic divisions are increasingly being exploited and exacerbated by a political realm in which the best seem to lack all conviction, while the worst are unfortunately fuller than ever…

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The Column: Eddie Myer – Forward to Victory

    2016 has certainly been a year to remember – good for right-wing demagogues, but bad for europhiles, pollsters and political pundits, though their discomfiture pales to insignificance compared to the travails endured by the unhappy citizens of Syria and Yemen.  The Grim Reaper seems to have been unusually active amongst the denizens of the…

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The Column: Eddie Myer – Larkin About

    The autumn touring schedule has made it impossible for me to attend a single one of the many amazing gigs that comprise the EFG London Jazz Festival, and all that I’ve had to console for missing (yet again) the priceless opportunity of seeing Wayne Shorter is the chance purchase of a copy of Philip…

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The Column: Eddie Myer – Jazzmatazz

    Anyone with more than a passing interest in jazz, an internet connection and a confident command of key stage 2 reading abilities  can’t have failed to notice the amount of press coverage being given to LA based saxophonist, composer and bandleader Kamasi Washington. His expansive personality and grand gesture approach have given journalists plenty…

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The Column: Eddie Myer – Autumn Leaves

    Autumn is traditionally a time of announcements in the world of showbiz, to which jazz finds itself attached, often with a certain reluctance, in our late-stage capitalist society. Music biz executives return to their artfully dressed-down offices after their August holidays – promoters and agents re-group after the summer festival season – arts…