1 November 2018

Live Review: Terry Riley at Brighton Alternative Jazz Festival

Brighton Alternative Jazz Festival: Terry Riley St. Luke’s Church, Brighton Monday 8th October, 2018   Celebrating its third successful year, Brighton Alternative Jazz Festival was fortuitous enough to have some of the biggest names in contemporary music listed on its programme. As sunset hit the high gothic points of the magnificent venue that is St […]

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1 November 2018

Live Review: Brighton Alternative Jazz Festival at St. Luke’s Church

Brighton Alternative Jazz Festival: Adam Fairhall, David Birchall/Andrew Cheetham/Julie Kjaer/Hannah Marshall, Laura Jurd’s Dinosaur, Ivo Perelman & Matthew Shipp, Peter Brötzmann & Full Blast, Irreversible Entanglements St. Luke’s Church, Brighton Saturday 13th October, 2018   Still illuminated from the previous week’s performance of legendary composer Terry Riley, St Luke’s Church had the enormous honour of […]

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1 November 2018

Album Review: Gabrielle Ducomble – Across the Bridge

Gabrielle Ducomble Across the Bridge (MPG Records – mpgcd020)   Ducomble studied jazz at Guildhall; previous releases featuring the likes of Gilad Atzmon and Chris Garrick have established her on the UK jazz circuit, and she’s appeared alongside Jacqui Dankworth and Tina May as part of the Jazz Diva series, and as part of Georgia […]

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1 November 2018

Album Review: Elliot Deutsch – Make Big Band Great Again

Elliot Deutsch Make Big Band Great Again (self-release)     Although in some quarters, jazz has been regarded as a subversive form of music, big band music has not been considered as a vehicle for protest. Until now.  When he started to write this album, Elliot’s original plan was to pay tribute to his hometown, […]

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1 November 2018

Album Review: Lorraine Baker’s Eden – Spark!

Lorraine Baker’s Eden Spark! (Spark006)   Here’s something new – a young drummer leading a tribute to veteran New Orleans sticksman Ed Blackwell, with a band that features streetwise new-thing iconoclast Binker Golding alongside long-established, critically acclaimed pianist and mentor Liam Noble, with feisty newcomer Paul Michael providing tough, imagnative basslines and credited with key […]

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1 November 2018

Album Review: Hexagonal – McCoy and Mseleku

Hexagonal McCoy & Mseleku (Hexagonal Records – HRCD101)   John Donaldson’s piano style – dynamic, exciting, heavy with dense left hand chording and furious pentatonic runs –  has drawn comparisons with that of McCoy Tyner, and he worked extensively with maverick South African pianist/composer Mseleku before the latter’s untimely death. Ensconced in his Hastings stronghold, […]

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1 October 2018

Eddie Myer: Masters of Our Domain

Autumn brings many harvests in its wake; not least the publication of numerous surveys and reports, the pages of which drift across the digital realm like the falling leaves. With the Brexit deadline drawing ever nearer and inconsistency remaining the only consistent factor in approach from both government and opposition, the uncertainties that the whole […]

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1 October 2018

Sam Carelse: On The Corner

My name’s Sam and I’m a singer. But I’m a real musician too. Eagle-eyed readers will spot that I’ve referenced the name of an instrumental album in the name of this column so I’m definitely the real deal (note: I wanted Bitches Brew but that was taken). I’ve practiced 25 hours a day for the […]

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1 October 2018

Joe Armon-Jones Interview

SJM editor Charlie Anderson caught up with Ezra Collective keys player Joe Armon-Jones after the release of his solo debut, Starting Today.   What do you get from playing music, as an experience, that you don’t get from doing anything else? I get a feeling of connection to other people through improvised music that I […]

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1 October 2018

Binker Golding Interview

Interview conducted by Charlie Anderson.   Tell us about the Binker Golding Band. On piano is Joe Armon-Jones, on double bass is Dan Casimir and on drums is Sam Jones. They all appear on the album and it’s just the four of us on the whole thing. Generally, when we do live shows it’s that […]

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